Bach Bibliography Search Result

Author : Talbot, Michael
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Fanna, Antonio; Talbot, Michael (eds.)	Vivaldi vero e falso: Problemi di attribuzione. [Vivaldi true and false: Problems of attribution] Congres Vivaldi: Falsifications et mystifications, Poitiers, 1991. Firenze: Olschki, 1992. 192p. ISBN: 88-222-3987-3. (= Studi di musica veneta: Quaderni vivaldiani, 7)	StudiMVenetaQuadVivaldi	7		1992	192p
	2.	Talbot, Michael	A Further Borrowing from Albinoni: The C Major Fugue BWV 946.	[cr]Rostock1990			1995	142-161
	3.	Talbot, Michael	A Vivaldi Sonata with obbligato Organ in Dresden.	OrganYb	12		1981	81-103
	4.	Talbot, Michael	De Italiaanse wereldlijke cantate. [The Italian secular cantata]	[ce]WereldBachCantates	2		1997	32-47
	5.	Talbot, Michael	Die italienische weltliche Kantate.	HandbMlGattungen	17	2	2010	25-32
	6.	Talbot, Michael	Die italienische weltliche Kantate.	[ce]WeltBachKantaten	2		1997	33-48
	7.	Talbot, Michael	Die Violine als Imitator anderer Instrumente in der Musik von Antonio Vivaldi und Tomaso Albinoni. Telemann, der musikalische Maler.	TelemannKonfBer	15		2010	56-69	[cr]Magdeburg2004
	8.	Talbot, Michael	Itariago no Sezoku Kantata. [Die italienische weltliche Kantate] Trans. by Tadashi Isoyama and Hiroshi Nonaka.	[ce]BachKantataNoSekai	2		2002	53-78
	9.	Talbot, Michael	Purpose and Peculiarities of the Brandenburg Concertos.	DortmundBachF	2		1999	255-289
	10.	Talbot, Michael	Purpose and Peculiarities of the Brandenburg Concertos Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998.	[p]BS_Dortmund			Jan 1998
	11.	Talbot, Michael	Purpose and peculiarities of the Brandenburg Concertos. A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998.	[p]BCB_Exeter			Jul 1998
	12.	Talbot, Michael	The Concerto Allegro in the Early Eighteenth Century.	MLetters	52	1, 2	Jan; Apr 1971	8-18; 159-172
	13.	Talbot, Michael	Wenzel von Morzin as a Patron of Antonio Vivaldi.	FaschSt	9		2003	67-76